
This is a story I wrote specifically for the brief of ‘GLASS’ for a competition, but it was not longlisted.
Some things that people assume are fragile, are often the most resilient, because they have to be to survive. If I’d never tapped that screen, then I wouldn’t know what happened and Mum would still be here.
When I was little, I stood on a chair, climbed under the net curtains and tiptoed precariously on the window ledge, between the photographs. I remember stretching up my arms like an angel. That window was bigger than I was. Mum was so happy to see me waiting for her, that she forgot to tell me off.
In my first year, almost everything I made broke, so I reused the smashed shards in my other work. By year four, I instinctively sensed how glass flowed. I could control my breath and feel the stresses and tensions. There was always a risk that kiln shock might crack a piece, but that was part of the process. People only saw the results, not the work leading up to it. Failure to produce or anticipate the market, meant I couldn’t pay my bills. It was all or nothing.
As the car drew up to what was left of Mum’s house, molten lead dripped into my stomach, and fizzed. I howled like a dog left home alone. A flapping stripy ribbon was the only barrier keeping strangers out.
I knew we would bicker over the scraps. His wife never appreciated the sentiment of unfashionable stem crystal, kept safe for best in a velvet-lined box, but she didn’t want me to have them either. I pretended that a new dandelion clock paperweight was Mum’s pride and joy and reluctantly gave it up for the wine glasses. If they had ever visited my shop, then they would know that the bowl they loved was one from my ‘Empty Vessel’ collection.
I hadn’t been a little sister for years but I still needed my big brother. This may as well have been a closed visit with a 6mm invisible barrier between us. I tried to reach out but I still couldn’t touch him. I think we both knew this would be the last time we didn’t speak.
He poured Mum’s ashes onto the sand. I picked up a muted, green pebble from the shoreline and sucked it like a travel sweet. Mum used to call these ‘mermaid’s tears’. Everything that fused us together was gone. I looked at the frosted, weathered sea glass nugget and wondered what it once was. I think I’ll make it into a pendant and wear it next to my heart.
When I got home, I wrote him a letter and pushed it into a bottle. I thought about throwing it into the sea, to be with Mum, but decided to slump it in the kiln. Flat bottles were always my best-sellers.

Unsettling vibe. I like it.
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I love all the glass references and the way the story moves from the past to present and finally to the future!
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Love the way the narrator angled for the things she wanted with the hostile sister in law. Having gone through all that with my mother’s estate, I was ready to laugh, though it was stressful at the time.
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A glimpse into a narrative that is very personal. Well written.
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Thank you. 👍🏽
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This piece relays a lot of emotions. Well scripted. ❤
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Thank you. 😀
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