*Disclaimer. This is not my actual home studio because I don’t have one. Maybe I will one day though. (No I haven’t been looking up the usb microphones that Emily St John Mandel or Limmy use. That was someone else who looks like me) However, I did actually recently dip a toe into the water of podcast/audiobook/storytelling.
I have always wanted to hear one of my stores read aloud but it never occurred to me that I could be the one to do it. If you’ve ever wondered what my voice sounds like, now is your chance to find out! Please enjoy.
Minted was first published by Dime Show Review back in 2019.
The episode on micropodcast.org was released on Thursday 4th February 2021.
This may be a piece of flash fiction, but recording it was not quick. I live in a house with thin walls near to a school, so there is always the sound of next-door’s telly, car doors slamming or children’s voices. To try to muffle as much outside noise as I could, I piled cushions and a duvet around my desk, and put a giant bath towel over my head to create my own personal fort. Even though my audience was me and me alone, I still had to try to manage the nerves of ‘public speaking’ my own words out loud.
Most of us are staying at home these days, and we’re all getting used to the majority of our interactions with other people being through a screen. My experiences of video calling, facetiming, MSTeams and Zoom are a bit like when Laura Dern in Jurassic Park goes near to a computer screen. Communicating in writing via the chat function, Twitter, texts, emails and WhatsApp are now my default.
I was overjoyed to be accepted onto a short story creative writing, professional development course called ‘A Brief Pause‘. It is run by Dahlia Publishing with funding from Arts Council England and support from The Literary Agency. The list of tutors for the twelve, two hour Zoom masterclasses is impressive. (Xanthi Barker, Susmita Bhattacharya, Rebecca Burns, Emily Devane, Melissa Fu, Divya Ghelani, Anita Goveas, Abi Hynes, Farhana Khalique, CG Menon, Mahsuda Snaith, and Alison Woodhouse.) So I have to try to be cool and not fangirl too much, because this does feel like a big deal for me. I also have to remind myself that I don’t have to buy every single short story collection or writer’s guide that is mentioned!
Lockdown III (the most controversial of the trilogy) has seen me scour YouTube and rediscover old episodes of ‘Tales of The Unexpected’. YouTube is a rabbit hole for book research as there is always someone who is a specialist in just the exact thing I need for my novel. It sometimes reminds me of being back in the Brownies, when a guest speaker would explain the workings of some puzzling contraption or how something was made. It’s strange to think that during the editing process, I will delete much of that (as yet unwritten) backstory as it will no longer be relevant and considered to be an infodump.
Writing should actually be called rewriting.