106. Ekki Hugsa

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Photo by Alina Grubnyak on Unsplash

“But you said there was no such thing as the one.” Said Ruth.

“Yeah, I know, and I still don’t think there is just the one person for everyone. My Nan said that you’d have to be really lucky to find that certain someone who was not only born around the same time as you, but close enough to where you live so you’d find each other.” Said Jean. “I think it’s true. That there’s lots of people for everyone. Even more if you’re beautiful or funny. People just need to be as open-minded as they say they are, and not over think things.”

“Do you mean, like when you find out that someone fancies you, then you sometimes start liking them back, even though before that moment, you’d never even thought of them in that way?” Said Ruth.

“That’s exactly what I mean.” Said Jean. “My Gramp told me that he saw my Nan on a bus and so he got a job delivering the milk round where she lived, in the hope that he’d see her again, and she was so impressed that he’d gone to all that trouble to find her that she went out with him, even though she said she didn’t fancy him for ages.”

“Didn’t they call it stalking back then?” Said Ruth. Just then her phone pings. “It’s my mum asking us if we want a drink.”

“I can’t believe she texts you. My mum would shout up the stairs.” Said Jean.

A few minutes later, Ruth and Jean are sat on a couple of bar stools at the counter in the kitchen, sipping cloudy lemonade and nibbling on home-made cheese straws. Ruth’s mum says, “Do you girls want to help me on Saturday? I’m making a start on your Nan’s house. Just for a couple of hours? I could really do with some young opinions. There’s pizza in it for you.”

When Saturday comes, the teenagers are bemused and baffled by so much in the house that they’ve never seen before. They’ve made up this game where they hold up their phone if the item they’ve got in their hand can “fit into de fone.” So far this includes, a set of Encyclopedia Britannica, a cassette player and box of tapes, another box of vhs tapes but no video player, a really old HMV 102 suitcase gramophone player and some heavy records, a radio, an alarm clock, a calendar, six albums of photographs, a box of letters, an old Polaroid camera but no film, flash bulbs for an even older camera, a whole wall of books, a telephone with its own little stool and table, complete with Yellow Pages, address book and Thompson Directory, a bank book, torch, compass and a pile of newspapers.

By the end of the afternoon, both girls, who are not much younger than the couple in the wedding photo, have acquired a selection of costume jewellery, mirror compacts and nail varnishes. Who’d have thought that old lady peach and coral were now the latest shades? But then, everything always comes full circle.

One day, there might even be a whole industry dedicated to tracking down the descendants of our discarded phones, to fill in family tree gaps.  Hopefully, there’ll at least be a universal charging lead with an in-built adaptor to capture the contents of people’s mobile phones for posterity.

 

 

 

86. Early Adopters

“They’ll make you whatever you want to eat here, Grandad.”

The menu is quite impressive. Every egg dish you could think of, either duck or hen. Bacon and sausages of a named breed from a Norfolk farm. At least six kinds of tea. Runner-up in a barista championship. Bakery on the premises. I can see a royal warrant before too long.

“I think that’s them.” I say. His Grandad turns stiffly to see the camera crew that’s just walked in. “Your interview’s not for an hour, so we’ve got loads of time. Have you decided what you’re having?”

It’s no coincidence that this restaurant is called ‘RE:’ It’s both the initials of the original company that owned it, and the beginning of every word used to describe the concept and evolution of the building.

His hands tremble a little as he holds the paper, but his eyesight and hearing are way better than mine, thanks to modern technology. “I’m going to try a fried duck egg, thick cut bacon, field mushrooms, home grown tomatoes and toast, and I want some marmalade. If it’s that same marmalade that you got me at Christmas, then I want another jar to take home with me.”

Half an hour later, we’re sat in that contemplative silence you get when you’re comfortable in each other’s space. He hasn’t set foot in here for over fifty years.

He’s studying the 1970s school chair, stroking the grey and red heavy felted wool fabric on the seat. “These are just like the blankets we had in the war.”

I think of festival stalls piled high with old hospital blankets in mint green or bubblegum pink. Quietly stored for decades in a building just like this one, waiting to live temporarily in a gated community. Life had no meaning outside of those walls. Cloaked, comforted, cherished, then casually discarded.

He’s too polite to ask why the floor is concrete and pipe works are exposed. Air ducts instead of a ceiling, overhead cisterns with pull chains in the loos. Why none of the taps match along the long institutional, animal trough sink. The amber, oval transparent bar of Pears soap with the unmistakable smell like spicy coal tar that transports you back to childhood. A towel machine on a roll next to an airblade hand dryer.

He points out parts of the warehouse where industrial machinery once stood, and why it looks like there’s a door to nowhere halfway up the wall. The hoists that swung out over the canal. How two men lay on their backs on the boat and “legged it” by walking along the inside of the brick tunnel to move the boat along, in the years before the towpath was built. No-one cared, then or now, how hard the job was. The only story everyone wants to hear is how he saved a man’s life by pulling him out from a grain bin, where he would have otherwise suffocated.

I couldn’t have predicted that audio cassettes and vhs tapes would make a comeback so soon, but it’s only a brief glimpse into his world. The working red telephone box in the foyer, next to the second-hand bookshop. A booth selling sweets by the quarter and a florist with exotic blooms for £4 a stem. Offices of companies that only exist online, next to artist space, the obligatory bicycle repair shop and a combination wine and vinyl warehouse, with barely anything for less than a tenner. A cut-throat barber shop complete with tweed knickerbocker-wearing Victorian gents and their twizzly moustaches, straight out of ‘Peaky Blinders.’

Sanitised nostalgia, packaged and sold back to us in red and white striped paper bags for more than we originally paid.

Even this meal didn’t exist back then.

A woman, looking like she’s about to do a Ted talk, wearing loose flannel trousers, a silk shirt, and an expensively scruffy hairstyle strides over, followed by a younger, nervous youth carrying a clipboard and phone. Their lanyards have the name of the TV production company on it. She sticks out her hand and says, “William? I’m Jessica. Pleased to meet you.”